The fascinating use of the sfumato technique, as seen on the Mona Lisa has been replaced by an absolutely clear use of shape and colour, by a descriptive language that pauses on the detailed portrayal of the faces, fabrics and jewels. Every element - even those of secondary importance - works together to create a precise balance. A tribute to the renowned spouses on their wedding anniversary officiated on 31st January 1504, Director Eike Schmidt inaugurates the new series of episodes entitled "My Gallery" with two geniuses of art history. Every element - even those of secondary importance - works together to create a precise balance. Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo da Vinci most closely. The choice to paint the works in black and white reflects a taste for the Flemish styles that were popular in 15th- and 16th-century Florence, where the panels of diptychs and triptychs would traditionally have monochrome decorations on the back. It is currently housed in Pitti Palace in Florence. Raphael distances himself from Leonardo’s model by preferring to use a solid, clear approach to space, lowering the horizon behind the figures and bringing them strongly to the foreground, according to models influenced by his own teacher, Pietro Perugino and by the Flemish painters of the late 15th century, such as Hans Memling. Since 5 June 2018, the Doni portraits have been displayed in the Uffizi Galleries alongside Michelangelo’s Tondo Doni, hung on new supports that allow the stories on their reverse sides to be admired. It is currently housed in the Pitti Palace in Florence. The portrait is one of a pair that depict a recently married merchant and his wife. The Portrait of Maddalena Doni is an oil painting by Italian Renaissance master Raphael, made in 1506. This relationship between landscape and figure presents a clear contrast to the striking settings of Leonardo, which communicate the threatening presence of nature. Cancel Unsubscribe. These works, linked not only by the kinship of the subjects, but also by their evident stylistic homogeneity, mark the beginning of Raphael's artistic maturity. These references strengthen the theory, put forward by the majority of critics, that the portraits were commissioned for the marriage of the young couple, dating them to somewhere between 1504 and 1506, the year in which the furniture for the Donis’ marriage chamber was completed by Francesco del Tasso and Morto da Feltre. Loading... Unsubscribe from TOPofART Painting Reproductions? From Infogalactic: the planetary knowledge core, The Expulsion of Heliodorus from the Temple, Portrait of Andrea Navagero and Agostino Beazzano, Portrait of Pope Leo X with Two Cardinals, https://infogalactic.com/w/index.php?title=Portrait_of_Maddalena_Doni&oldid=1996323, Articles with Italian-language external links, Creative Commons Attribution-ShareAlike License, About Infogalactic: the planetary knowledge core. But the most notable characteristic that distinguishes these portraits from those of Leonardo is the overall sense of serenity which even the close attention to the materials of clothes and jewels (which draw one's attention to the couple's wealth) is unable to attenuate. The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. But the low horizon of the landsca… The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. It is housed in the Pitti Palace in Florence. These works, linked not only by the kinship of the subjects, but also by their evident stylistic homogeneity, mark the beginning of Raphael's artistic maturity. But the most notable characteristic that distinguishes these portraits from those of Leonardo is the overall sense of serenity which even the close attention to the materials of clothes and jewels (which draw one's attention to the couple's wealth) is unable to attenuate. It is housed in the Pitti Palace in Florence. It is now in the Pitti Palace in Florence. The portrait is one of a pair that depict a recently married merchant and his wife. Maddalena’s pendant is particularly significant, formed by a gold, unicorn-shaped mount and three precious stones (ruby, emerald and sapphire), and by a pearl, an element that alludes to virginal purity and marital fidelity. It was oil on wood painting and was painted in between 1506 and 1507 by Raphael. The two were married in 1503. The Portrait of Maddalena Doni is an oil painting by Italian Renaissance master Raphael, made in 1506. The two paintings portray Agnolo Doni (1474-1539), a rich fabric merchant and prominent figure among the Florentine upper class, and his wife, noblewoman Maddalena Strozzi (1489-1540), who married on … Raffaello Sanzio (Urbino 1483 – Rome 1520) and Maestro di Serumido, Lecture in Italian - Vasari Auditorium – 6th March 2019, Video in Italian. These are two episodes, one a consequence of the other, taken from Ovid’s Metamorphoses: The Flood, on the back of Agnolo’s portrait, and the following rebirth of humanity thanks to Deucalion and Pyrrha, on the back of the portrait of Maddalena. According to Giorgio Vasari (Le Vite, Edizione Giuntina 1568) the works were commissioned to Raphael by Agnolo: “Whilst he was living in Florence, Agnolo Doni, who was very careful with his money in other things but willing to spend it, although still with the greatest possible economy - on works of painting and sculpture, in which he much delighted, asked him [Raphael] to make portraits of himself and of his wife; these may be seen in the possession of Giovan Battista, his son, in the beautiful and most comfortable house of Agnolo, on Corso de’ Tintori, near the Canto degli Alberti, in Florence.” Agnolo also commissioned the round painting of the Holy Family, known as the Tondo Doni, to Michelangelo Buonarroti. These two masterpieces mark an essential stage not only in Raphael’s art, but also in the tradition of Florentine portraiture which, by developing solutions previously formulated by Verrocchio in the Woman with Flowers, and by Leonardo in the Mona Lisa, come to a new natural style of half-bust presentation. The Italian Renaissance master Raphael, painted the Portrait of Agnolo Doni between 1506 and 1507. Arrange your visit in Florence, find prices and opening hours of the museum. The subjects of the painting were known to be Agnolo Doni and Maddalena Strozzi. The classic Portrait of Maddalena Doni was done by Raphael as an oil painting in 1506. The first of the portraits by Raphael was that of Maddalena: radiographic analysis has shown that he made changes to background, initially conceived to be an interior, so that it overlooked a landscape through a side opening, while the portrait of Agnolo was directly inserted into the landscape, creating visual continuity with that of his bride. Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo da Vinci most closely. The Portrait of Maddalena Doni shows the married couple Agnolo Doni and Maddalena Doni. These stories, painted in monochrome, were the work of a colleague of the young Raphael, whose identity remains anonymous but who is thought to be the so-called Maestro di Serumido, a figure identified by Federico Zeri, who attributed a group of works in similar style to this same artist. The Portrait of Maddalena depicts a newly married Agnolo Doni, a merchant and his … Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo da Vinci most closely. From this date, there is not much information about them. Both portraits were painted en pendant and originally formed a diptych, held together by hinges that made it possible to look at the scenes painted on the backs. Raphael - Portrait of Agnolo Doni | Art Reproduction Oil Painting TOPofART Painting Reproductions. Ovid narrates how the gods allowed Deucalion and Pyrrha, an elderly couple without children to save themselves from the flood and to restore life to mankind after it. The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. They most definitely remained with the Doni family if, in 1826, Leopold II Grand Duke of Tuscany was able to buy them from the heirs and add them to the collection of paintings he was creating in the Palatine Gallery in Palazzo Pitti. It is housed in the Pitti Palace in Florence. In Vasari’s period, the portraits were still in the family home in Corso Tintori, where they were seen by Raffaello Borghini (1584) and Giovanni Cinelli (1667). The links to the Mona Lisa are so close as to lead one to think that Raphael was himself able to study it in Florence, at least towards the end of 1504. The Portrait of Agnolo Doni is an oil painting by Italian Renaissance master Raphael, executed between 1506 and 1507. This relationship between landscape and figure presents a clear contrast to the striking settings of Leonardo, which communicate the threatening presence of nature. The Portrait of Agnolo Doni is an oil painting by Italian Renaissance master Raphael, executed between 1506 and 1507. The portrait looks like the Mona Lisa painting of Leonardo Da Vinci. The Portrait of Maddalena Doni is an oil painting by Italian Renaissance master Raphael, made in 1506. The portrait gives the picture of a merchant and his wife. The portrait is one of a pair that depict a recently married merchant and his wife. The portrait is one of a pair that depict a recently married merchant and his wife. The two scenes are to be interpreted as allegories that seem to wish fertility to the marriage. But the low horizon of the landscape background permits a careful assessment of the human figure by providing a uniform light which defines surfaces and volumes. The portrait is one of a pair that depict a recently married merchant and his wife. The Expulsion of Heliodorus from the Temple, Portrait of Andrea Navagero and Agostino Beazzano, Portrait of Pope Leo X with Two Cardinals, https://en.wikipedia.org/w/index.php?title=Portrait_of_Agnolo_Doni&oldid=933911378, Articles with Italian-language sources (it), Creative Commons Attribution-ShareAlike License, This page was last edited on 3 January 2020, at 18:06. Born in Raffaello Sanzio da Urbino in 1483, Raphael was an architect and painter during Italian Renaissance. On the order of Zeus, the pair threw stones over their shoulders, and once they touched the oil, the stones became people – the ones thrown by Deucalion became men and the ones thrown by Pyrrha, women. The two paintings portray Agnolo Doni (1474-1539), a rich fabric merchant and prominent figure among the Florentine upper class, and his wife, noblewoman Maddalena Strozzi (1489-1540), who married on 31 January 1504. But the low horizon of the landscape background permits a careful assessment of the human figure by providing a uniform light which defines surfaces and volumes. The portrait is one of a pair that depict a recently married merchant and his wife. This page was last modified on 31 October 2015, at 19:05.
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