On route the ship encounters a derelict Earth ship dating from the late 20th century that contains poison gas and nuclear weapons. Ikarie XB-1 (retitled Voyage to the End of the Universe in the US) is a Czech sci-fi film which is notable both for its place in cinematic history in general and for its relationship to Stanley Kubrick's 2001: A Space Odyssey specifically. Then we watch as the astronauts investigate, their boots that light up with each slow-motion step, unknowingly performing a dance of death. Available to download. I found the interpretation of dance in the future quite interesting. The first half of the film plays like a futuristic documentary, we the audience dispassionately observing life on board the ship. This is a twist ending that was subsequently borrowed by other science-fiction films like Planet of the Vampires (1965) and most famously Planet of the Apes (1968). Do you know it?”. Awards Todo lo relacionado al arte y la fotografía de esta peli es un 10/10, What if communism is a technology transmitted to us by an ancient, non-hierarchical alien civilization. I watched the original czech Ikarie XB-1, not the US Voyage to the End of the Universe, which cut out all the fun anti-capitalist stuff, and tacked on a different ending. Movie name. frankfob2@yahoo.com. According to reminiscence of Lem, this novel was not from his favorites. Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. View production, box office, & company info, Pavel Jurácek (screenplay and dialogue), Show All… Mix that in with the futuristic Shostakovitch-like score and we have a compelling and eerie trip into the unknown. For a cold-war film, Ikarie XB 1 is largely unpolitical. Production Company – Studio Barrandov. Mobile site. Interesting Czech film with very high production values – a sort of cross between 'Solaris' and '2001: A Space Odyssey' with a big dash of 'Things To Come' all made in black and white. It is actually more like the Magnetic Monster and the Outer Limits. I'll see it at least 10 times! Reading an old issue of UK Film Mag Empire,I noticed Kim Newman (who also does an informative intro) review a Czech Sci-Fi film.Whilst trying to find the disc,I discovered that there are a large number of other Czech Sci-Fi titles that I've not heard of before.Deciding to spend April watching one Czech movie a month,I decided to watch the film which started my examination of Czech cinema. The tacked on US ending, lambasted as it's been over the years, proved to be influential at the time, as shown by 1968's "Planet of the Apes." Un proto-Solaris con algo de Star Trek. Easy to watch with some very fun scenes (loved the on-board black-tie and gown Ball with its attendant astro dancing). Others included the likes of First Spaceship on Venus (1959), The Heavens Call (1959), Storm Planet (1962), Andromeda Nebula (1967) and Moscow-Cassiopeia (1973). Arguably, this linking of styles was also achieved quite nicely in 'Forbidden Planet', but excellent as it was, that movie still had us rooting for the 'Cowboys' versus the 'Indians' (despite the 'Indians' being a product of one man's insecure ego), and fell back on that already tired old staple of the misunderstood scientist with a glamorous daughter! (1963). Well-worth watching for any fan of the genre. The movie not only shows a trip to proxima centauri, but it also tried to predict future music and dance. On the one hand, there is the earlier, declamatory style of traditional alien-busting 'Golden Age' sci-fi; on the other the later, more confessional storytelling characterised by '2001: A Space Odyssey' or 'Solaris' through to 'Alien' and 'District 9'. Concepts like time dilution, first baby born in Space and Space madness, just to name a few innovative and realistic depictions of Space-Travel, to search for intelligent life beneath our Star and maybe find some hope for humanity. Vladimír Navrátil Olga Navrátilová Marie Popelková Hana Prazanová Olga Schoberová Gustav Vobornik, Stanisław Lem Pavel Juráček Jindřich Polák, Ester Krumbachová Vladimír Synek Jan Skalicky Dena Rova, Rudolf Hammer František Kléma Karl Holek Libuše Švejdová, Icarie XB1, Ikaria XB1, イカリエ-XB1, Voyage to the End of the Universe, 88 mins It is true that much of the 'exterior' work is pretty clunky, but that doesn't detract too much from the whole. It would seem that the sci-fi titles produced behind the Iron Curtain during the early 1960s were all heavy on space travel, light on monsters, so Americans such as Roger Corman often purchased the rights to add new footage to rectify the situation ("Battle Beyond the Sun," "Voyage to the Prehistoric Planet," "Planet of Blood," "Voyage to the Planet of Prehistoric Women). Jindrich Polák (screenplay and dialogue), Underrated science fiction gem from Eastern Europe, The Best Sci-Fi Movies that Most People Haven’t Seen — IndieWire Critics Survey, Janus Films to Bring 30 Classic Czech Films to the States. Joe's endorsement of Kolaloka (Crazy Cola) ... See full summary ». A group of travellers on an immense 25th century spaceship, making a voyage across galactic distances to "the Green Planet." When his adventurous twin brother dies in a breakfast accident, Jan decides to impersonate him, unwittingly becoming a part of a Nazi time travel conspiracy. The Science Fiction Horror and Fantasy Film Review. It's a sequence worth watching a few times. The script does boast some modestly effective science-fiction – there is a surprising inclusion of the relativistic effects of near-light travel and the consequences this must have to those back on Earth – although later there is nonsensical talk about how “the radiation is interfering with the mechanical processes in our bodies.”. The camera tilts and frames the ship in various interesting ways. Voyage to the End of the Universe (1964) Sci-Fi Zdenek Stepánek, Frantisek Smolík, Dana Medrická, Irena Kacírková Director: Jindrich Polák; Writers: Pavel Jurácek, Stanislaw Lem, Jindrich Polák More Details. Proto-2001. It's interesting and surprisingly fairly accurate compared with what came before and after (it's ahead of it's time) While there are scientific inaccuracies - it's pretty authentic stuff – I liked the explanation of the time dilation effect on this journey to Alpha Centauri and the fact that their families back on Earth would age while they would not. Looking for some great streaming picks? The movie technology developed as well as science knowledge (which was widely used in the movie to create realistic picture), but the messages in this story are still relevant. The crew are beset by various problems on the way (mainly the effects of a hidden black star and consequent radiation). A giant spaceship carrying colonists to a new planet runs into unexpected troubles on its journey, ranging from encounters with abandoned alien craft to malfunctioning onboard computers and tensions among its crew and passengers. The exploring team accidently triggers one of the bombs, destroying the space-wreck and the one of the Ikarie's exploration shuttles. The (then) newly restored original Czech version was screened as a "Cannes Classic" at the 2016 Cannes Film Festival. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. In interpretation of Soderbergh's and Clooney's Solaris they was finding the heaven or paradise to live there (and at the end Rheya and Kelvin have found it). The story relies to some extent on one of Stanislav Lem's books. Pittsburgh's Chiller Theater aired this film on two occasions, Nov 25 1967 (followed by second feature "The Tingler") and Aug 1 1970 (followed by second feature "Voodoo Man"). Also, I'm afraid I did find one thing to laugh myself silly at: the trashing of poor old Patrick, the ageing robot, would have fit right into an episode of 'The Simpsons'! The exterior special effect sequences in this film are far less effective and are kept mercifully to a minimum. Based on Stanislaw Lem's novel The Magellanic Cloud, Jindrich Polak's 1963 sci-fi epic Ikarie XB-1 appears to have been an influential film for Kubrick during his research for 2001. ("Patrick -RETREAT!!"...CLUNK! Writer credits: Pavel Jurácek - Jindrich Polák. Futuristic attempt to simulate future. Usually it's been only seen in a butchered edition created Stateside - duly shorn of a plot strand, dubbed with a different ending, with a dumb title.
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