henri matisse dance

The Dance by Henri Matisse is a two part celebration in the movement of human bodies. The Dance and Dance I were two famous paintings from the career of French artist Henri Matisse and came about in 1909 and 1910. Dance (I) marks a moment in Matisse’s career when he embraced a reductive approach to painting, seeking the expressive potentials of fundamental elements: line, color, and form. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. The five figures joined together appear to be lost in dance. His work of the decade or so following this relocation shows a relaxation and softening of his approach. The final painting features a dark blue background that pushes the radiant red bodies to the forefront. In 1917, Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice. The two were very much the same in content, only with a twist on the colour tones used by the artist. The first version of a much paler hue, is the preview for the finally. This "return to order" is characteristic of much post-World War I art, and can be compared with the neoclassicism of Picasso and Stravinsky as well as the return to traditionalism of Derain. A Glimpse of Notre-Dame in the Late Afternoon Henri Matisse 1902. Henri Matisse (31 December 1869 - 3 November 1954), one of the undisputed masters of 20th century art, was a French artist, known for his use of colour and his fluid and original draughtsmanship. Matisse's orientalist odalisquepaintings are characteristic of the period; while this work was popular, some contemporary critics foun… The relationship between these two formal elements can be traced from early works like Dance (I) —in which the side of a dancer’s body, set against fields of rich blue and green, is described in a single, arcing contour—to his late cut-outs like The Swimming Pool, in which the artist discovered a way at the end of his life to “cut directly into vivid color.” 2 This daring approach was influenced by the increasing sophistication of photographic technology. They were commissioned in 1910 by one of the leading Russian collectors of French late 19th and early 20th-century art, Sergey Shchukin. Henri Matisse, detail, Dance I, 1909, oil on canvas, 259.7 x 390 cm (Museum of Modern Art, New York City) What Matisse has done here, even in seemingly simple rendering, is use spatial ambiguity to explore one of the key issues in modern painting, the conflict between the illusion of depth and an acknowledgment of the flatness of the canvas. The pair of panels known as "The Dance and Music" (also in the Hermitage) are amongst Matisse's most important - and most famous - works of the period 1908 to 1913. Both paintings were produced on huge canvases measuring almost exactly the same dimensions.

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