the velvets matisse

Our essential Matisse collection includes original lithographic prints by the artist. This firm adapted a traditional painting relining process to the specific needs of mounting Matisse cut-outs. We started out as a small screenprinter in a Brighton basement. One of two framed prints we bought and both fantastic. He argued that an artist does not have total control, and enjoyed the act of losing himself to the forces of design, form and colour. Shipping within the UK Mainland is £3.95 for unframed items and £8.95 for framed items. Fantastic customer service and exceptional quality print and frame. The frame is much thicker than I expected. Boston, 2017, pp. Through this intuitive process, he created … All rights reserved. As a leader of the Fauvist movement, Matisse spent over half a century exploring the expressive language of colour. 14 (Head of a Hostage) – 1944. Shipping within the UK Mainland is £3.95 for unframed items and £8.95 for framed items. 57 × 47 cm, The Horse, the Equestrienne and the Clown, Algue Blanche sur Fond Rouge et Vert, 1947, Centennial, Exposition d'Affiches, Papiers Découpés, 1952 (before lettering). Our prints and frames are handmade in our workshop in Sussex to the highest standards. Henri Matisse (1869 - 1954) is regarded as one of the great innovators of 20th century art, alongside Pablo Picasso. Today we've grown to a factory and design studio in Newhaven. Etsy uses cookies and similar technologies to give you a better experience, enabling things like: basic site functions Website © 1999–2020 King & McGaw, Framed silkscreen print, Well made. Extremely satisfied. Today we've grown to a factory and design studio in Newhaven. Colours true to the images on the website. The Horse, the Equestrienne and the Clown, Les Lithographies de l'Atelier Mourlot, 1984. Our essential Matisse collection includes original lithographic prints by the artist. Beautifully printed, very well packed looks fantastic on the wall. When ill health prevented him from painting in his later years, he produced a prolific body of collage works made from bright gouache papers. Headed by founder Gyr King, we have a simple ethos to bring inspiring, affordable art to everyone. Study from the Human Body – 1949, Edgar Degas: After The Bath Woman Drying Herself – 1888-1892, Edgar Degas – Woman at Her Toilette – 1900-1905, Francis Bacon: Two Figures in the Grass – 1954, Francis Bacon: Study for a Portrait of Van Gogh VI – 1957, Francis Bacon: Portrait of Man with Glasses III – 1963, Francis Bacon: Three Studies for a Crucifixion – 1944, Francis Bacon: Lying figure with hypodermic syringe – 1963, Francis Bacon: Three Figures in a Room – 1964, Francis Bacon: Studies of the human body, triptych – 1970, Francis Bacon: After Muybridge – 1961 en 1965, Francis Bacon: Three Studies for a Portrait of Isabel Rawsthorne – 1965, Francis Bacon: Three Studies for a Portrait of George Dyer – 1964, Francis Bacon: Portrait of Michel Leiris – 1976, Francis Bacon: Portrait of Michel Leiris – 1978. Possibly better screws to attach picture hooks to picture as they marked the wall. Tête d’otage (Head of a Hostage) – 1943-1944, Mural at the Catalan Pavilion at the Seville Expo ’92, Sérigraphie – Pierre Soulages – Composition – 1971, Glasramen Pierre Soulages: Conques – 1995, Nicolas de Staël: Parc des Princes – 1952, Nicolas de Staël: Figures au bord de la mer – 1952, Nicolas de Staël: Les musiciens en hommage à Syndey Bechet – 1952, Nicolas De Stael: La plage à Agrigente – 1954, Nicolas de Staël: le Concert (Le Grand Concert, L’Orchestre) – 1955, Alfred Manessier – Glasramen in de kapel van Ste-Thérèse te Hem – 1957, Jean René Bazaine: L’enfant et la nuit – 1949, Jean René Bazaine: La terre et le ciel – 1950, Jean René Bazaine: Pierres, Arbres et Plaine – 1952, Auguste Herbin: Témoignages pour l’art abstrait, Pochoir – 1952, Henry Moore: Tube Shelter Perspective – 1941, Henry Moore: Draped Reclining Figure – 1952, Henry Moore: Draped Reclining Woman – 1957-58, Henry Moore: Three Piece Reclining Figure No1 – 1961, Henry Moore: Sculpture at Louisiana Museum of Modern Art – 1969-1970, Henry Moore: Oval with Points – 1968-1969, Henry Moore: Mother and Child, Hood – 1983, Cobra: COpenhagen, BRussel en Amsterdam (1948-1951), Ejler Bille: Figures in a Magic Landscape – 1939, Carl-Henning Pedersen: The Red Ship – 1948, Henry Heerup: The Liberation and the Peace – 1946, Christian_Dotremont: Calligram of “peintures-mots”, Pierre Alechinsky en Christian Dotremont: Illuminated Page (Feuille orée) – 1972, Linolog II, linogravure van Pierre Alechinsky en logogram van Christian Dotremon, Karel Appel: Ontmoeting (Encounter) – 1951, Constant Nieuwenhuys: Feest der droefenis – 1949, Corneille, Guillaume Cornelis Beverloo (1922-2010), Graham Sutherland: Standing Forms II – 1952, Francis Bacon: Three Studies for Figures at the Base of a Crucifixion – 1944, Francis Bacon: fascinatie voor opengesperde mond en lange hals – inspiratiebronnen, Francis Bacon: Figure in a Landscape – 1945, Francis Bacon: Figure Study II – 1945-1946, Francis Bacon: Study after Velázquez’s Portrait of Pope Innocent X – 1953, Velázquez’s: Portrait of Pope Innocent X – 1650, francis bacon: Study for portrait IV – 1953, Francis Bacon. Through this intuitive process, he created … An enduring icon of modern art, Matisse's playful motifs, abstract female forms and eloquent line drawings have been relentlessly popular since the 20s. cat., Museum of Fine Arts, Boston. All rights reserved. 109 × 149 cm. Art Prints. Superb quality print - beautifully framed. Tète d’Otage, no. As a leader of the Fauvist movement, Matisse spent over half a century exploring the expressive language of colour. 64 × 53 cm. 50 x 140 cm. He argued that an artist does not have total control, and enjoyed the act of losing himself to the forces of design, form and colour. Headed by founder Gyr King, we have a simple ethos to bring inspiring, affordable art to everyone. Show Me All art prints and images on this website are copyright their respective owners. The Velvets (Silkscreen print) Henri Matisse. The print is outstanding in person. There, his imagination flourished as he cut out shapes from papers painted with Linel gouache with tailor's scissors and … The benefit of this technique … We started out as a small screenprinter in a Brighton basement. Matisse, who was very concerned about the long-term preservation of his cut-outs, felt that this technique was a satisfactory answer to his needs. He argued that an artist does not have total control, and enjoyed the act of losing himself to the forces of design, form and colour. An enduring icon of modern art, Matisse's playful motifs, abstract female forms and eloquent line drawings have been relentlessly popular since the 20s. Henri Matisse Compositions (The Velvets) 1947, Gouache on paper cut-outs, Het na-oorlogse Amerikaanse abstract expressionisme en de Ecole de Paris – Kristin De Glas, Van James Whistler tot de Mexicaanse muralisten, The White Girl, Symphony in White No1 – 1862, Arrangement in Grey and Black No.1, Portrait of the Artist’s Mother – 1871, Nocturne in Black and Gold – The Falling Rocket – 1875, Nocturne: Blue and Gold – Old Battersea Bridge – 1872-1873, The Peacock Room (de pauwenkamer) – 1876-1877), Autumn (or Profile of Lydia Cassatt) – 1880, Marcel Duchamp: Nu descendant un escalier – 1912, J. F. Griswold: The Rude descending a staircase (Rush-Hour at the Subway) – 1913, Charles Demuth, I Saw the Figure 5 in Gold (1928), The Passion of Sacco and Vanzetti – 1931–1932, We French workers warn you…defeat means slavery, starvation, death – 1942, De la dictadura de Porfirio Díaz a la Revolución – El pueblo en armas – 1957-65, De voorlopers van het abstract expressionisme, André Masson – peinture automatique – 1927, The film Jackson Pollock by Hans Namuth and Paul Falkenberg – 1951, Elaine Marie Fried de Kooning (1918-1989), Elaine Marie Fried de Kooning, Fairfield Porter – 1954, Max Weber (leraar van Rothko) – Tranquility – 1930, Violet, Black, Orange, Yellow on White and Red – 1949, White center (Yellow, Pink and Lavender on Rose) – 1950, Number 61, Brown Blue Brown on Blue – 1953, Mural painted for The Four Seasons Restaurant, Henri Matisse – French Window at Collioure – 1914, Who’s Afraid of Red, Yellow and Blue – 1967-1968, Congrès mondial des partisans de la paix, Paris – avril 1949, Le déjeuner sur l’herbe (d’après Edouard Manet) – 1960, Two Dancers (Study for Rouge et Noir) – 1938, The Knife Thrower, plate XV from “Jazz” – 1943, Matisse’s kapel in Vence, kruisweg, kazuifels en glasramen, Les Bêtes de la Mer (‘The Beasts of the Sea’) – 1950, Les rencontres (Paysage avec trois personnages) – 1950, Coucou Bazar ou Bal de l’Hourloupe – 1973, Wols (Alfred Otto Wolfgang Schulze) (1913-1951), Tête d’otage No.

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