Stupid frame story? Was this review helpful to you? [29] The Daily Telegraph's Simon Horsford felt that The Turn of the Screw "might not work on all levels but it is an unsettling interpretation nonetheless". This is left to the viewer to decide during a bleak yet sumptious 90 minutes of classic period storytelling. The novella, Dowling explained, can be understood as a straightforward ghost story, but it can also be understood as a story about Ann's madness, and there is further ambiguity concerning whether the children are being controlled by Quint and Jessel, or whether the children are controlling Ann. The next day she rants to the housekeeper about him being given over to evil. [15], The Turn of the Screw starred Michelle Dockery as Ann, Sue Johnston as Mrs Sarah Grose, Dan Stevens as Dr Fisher, Mark Umbers as the Master, Nicola Walker as Carla, Edward MacLiam as Peter Quint and Katie Lightfoot as Emily Jessel. The Turn of the Screw (also known as Ghost Story: The Turn of the Screw) is a British television film based on Henry James's 1898 ghost story of the same name. And if you're a Colin Firth fan, don't bother. [10], The Turn of the Screw was first shown at 9 pm on BBC One on 30 December 2009,[17] as part of the BBC's Christmas 2009 season. [12][33] This subtlety, according to a review in the Western Morning News, hit "exactly the right note of terror",[9] and the film was praised as genuinely scary by some critics. A naive and sexually repressed young governess is haunted by the ghosts of previous occupants of a mansion. Add the first question. The DVD was unrated and had no extra features. [11], The changes to the story were mostly superficial,[6] and the adaptation generally mirrors the novella's tone. Later, Ann is woken at night by the figure of the woman, and follows her to find Flora standing next to an open window. The original story has been much analysed owing to its ambiguity, and critics disagreed about the extent to which the film succeeded in portraying this trait. As one of his more popular stories, it had already been adapted for films and television many times, although not previously by the BBC. [39] Considering the frame narrative of the film, Anna Viola Sborgi, a literary theorist, argues that the fact that Ann begins the film in a sanatorium conveys the impression that the character is mad, resulting in a loss of ambiguity. [14] The railway scenes were filmed at the East Somerset Railway. Despite the suggestion of his superior (Redgrave) that he focus upon soldiers who have returned from the First World War, Fisher wishes to help Ann if he can. [16] However, due to the sexual content of the film, the child actors did not attend the preview screenings. [20][21][22][23] Foreign language versions of the film include television screenings or DVD releases of the film in German (Schloss des Schreckens),[24] Finnish (Ruuvikierre)[25] and Polish (W kleszczach lęku).[26]. Tim Teeman, reviewing The Turn of the Screw for The Times, felt the 1920s setting did not contribute to the story, as it was not properly developed. The cursed house - Geap Manor - weaves together three ghost stories set during Georgian times, the 1920s and the present day. It was more, at least in the case of Quint/Miles. Set in a theatre over the course of an evening, Julia finds herself as a ... See full summary ». The whole ghostliness and evilness element is handled with decided incompetence.The script also contains a lot of very stilted lines, seemingly out of character, a lot of serious material sounds somehow ludicrous. Looking for something to watch?
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