There Vasari and the two Medici received further instruction by Pierio Valeriano (1477–1558). Here you can sample all the dishes of the typical cuisine of the Maremma with such specialities as acquacotta, la torta con acciughe, la fricassea di agnello, l’oca alla maremmana. And in describing the forms and features of the craftsmen I will be brief, seeing that their portraits, which have been collected by me with no less cost and fatigue than diligence, will show better what sort of men the craftsmen themselves were in appearance than describing them could ever do; and if the portrait of any one of them should be wanting, that is not through my fault but by reason of its being nowhere found. On the said façade are certain figures, and under the portico many scenes in marble from the life of S. Martin, in half-relief, and in the Greek manner. A developmental period (augumento) was ultimately succeeded by the age of perfection (perfezione)--coincidentally Vasari’s own time and that of Michelangelo. When Vasari wrote his lives he was concerned mainly with Florentine artists. These, among others, were the Visigoths, who, having created Alaric their King, assailed Italy and Rome and sacked the city twice without respect for anything whatsoever. But I say surely that the wishing to affirm dogmatically who this man or these men were is a thing very perilous to judge, and perchance little necessary to know, provided that we see the true root and origin wherefrom art was born. Cleophantes of Corinth was the first among the Greeks who used colours, and Apollodorus the first who discovered the brush. In 1550 a little known Italian artist, Giorgio Vasari, published a revolutionary book entitled 'Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times'. After Giotto was returned to Florence, Robert, King of Naples, wrote to his eldest son, Charles, King of Calabria, who was at that time in Florence, that he must by some means or other send him Giotto to Naples. And from that age, for a time, outlines only were wont to be used, with no body of colour, as the same Pliny confirms; which method was rediscovered with more labour by Philocles the Egyptian, and likewise by Cleanthes and Ardices of Corinth and by Telephanes of Sicyon. But what[Pg xlii] clearer proof of this can be sought? Thither, having, so to speak, despoiled the world, in course of time they assembled the craftsmen themselves as well as their finest works, wherewith afterwards Rome became so beautiful, for the reason that she gained so great adornment from the statues from abroad more than from her own native ones; it being known that in Rhodes, the city of an island in no way large, there were more than 30,000 statues counted, either in bronze or in marble, nor did the Athenians have less, while those at Olympia and at Delphi were many more and those in Corinth numberless, and all[Pg xli] were most beautiful and of the greatest value. by Michael Dirda / August 18, 2008 Share. Wikisource has some information concerning Le vite de' più eccellenti pittori, scultori e architettori and Le vite de' più eccellenti pittori, scultori e architettori (1550)/Giotto. Similar to these were most, nay, all of the buildings that were erected in Italy from the times aforesaid up to the year 1250, seeing that little or no acquisition or improvement can be seen to have been made in the space of so many years by architecture, which stayed within the same limits and went on ever in that rude manner, whereof many examples are still to be seen, of which I will at present make no mention, for the reason that they will be spoken of below according to the occasions that may come before me. And when the court had heard the matter, they gave sentence that the man should take his shield so painted, and pay six lire to Giotto." The art of sculpture, then, was greatly exercised in Greece, and there appeared many excellent craftsmen, and, among others, Pheidias, an Athenian, with Praxiteles and Polycletus, all very great masters, while Lysippus and Pyrgoteles were excellent in sunk reliefs, and Pygmalion in reliefs in ivory, of whom there is a fable that by his prayers he obtained breath and spirit for the figure of a virgin that he made. Nay more, there had been lost at one and the same time all true men and every sort of virtue, and laws, habits, names, and tongues had been changed; and all these things together and each by itself had caused every lovely mind and lofty intellect to become most brutish and most base. Giorgio Vasari (1511-74) is the Plutarch of Renaissance Italy. The aforesaid edifice of the Duomo in Pisa, awaking the minds of many to fair enterprises throughout all Italy, and above all in Tuscany, was the cause that in the city of Pistoia, in the year 1032, a beginning was made for the Church of S. Paolo, in the presence of the Blessed Atto, Bishop of that city, as may be read in a contract made at that time, and, in short, for many other buildings whereof it would take too long to make mention at present. Truly this work was vast, of great cost, and difficult to execute, and above all the vaulting of the tribune, made in the shape of a pear and covered without with lead. Did not Attalus the same, who, in order to possess the picture of Bacchus painted by Aristides, did not scruple to spend on it more than 6,000 sesterces? At this time, likewise, was enlarged the Church of S. Maria in Grado, in honour of the said Hilarian, for the reason that he had been for a long time living in it when he went, with Donatus, to the crown of martyrdom.
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