It also became the second-biggest musical ever overall at the time, behind Disney's Frozen(2013). [40], Evald Tang Kristensen collected a Danish version that follows Beaumont's version pretty close. The heroine dies a few days after, and her sisters spent the rest of their lives in poverty. In that same instant an old beggar woman appears, and she tells the princess how to break the spell in exchange for inviting her to the princess' wedding. [57] In a second Chinese variant, The King of the Snakes, the Prince of Snakes sees an old man plucking flowers in the Prince's gardens and, irritated, demands the old man sends one of his daughters to the Prince. All three of his daughters are very beautiful, but the youngest, Beauty, is the most lovely, as well as kind, well-read, and pure of heart; while the two elder sisters, in contrast, are cruel, selfish, vain, and spoiled. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. She visits her family three times, the first two because her sisters are getting married, and the third because her father is dying. Like in The Summer and Winter Garden Nettchen asks for roses in the middle of winter, that her father can only found in the Beast's garden. The urban opening is unusual in fairy tales, as is the social class of the characters, neither royal nor peasants; it may reflect the social changes occurring at the time of its first writing. Zelinda does as aid, and the Monster turns into a human, who tells her he is the son of the King of the Oranges. The youngest, Almond Blossom, being the "most devotedly filial", offers to go in her father's place. However, to his dismay, the merchant finds that his ship's cargo has been seized to pay his debts, leaving him penniless and unable to buy his children's presents. [7] The story begins in much the same way, although now the merchant has only six children: three sons and three daughters of which Beauty is one. [10] Sicilian folklorist Giuseppe Pitrè collected a variant from Palermo titled Rusina 'Mperatrici (The Empress Rosina). Instead of going to visit her family, staying longer than she promised and then returning to the Monster's castle to find him dying on the ground, here the Monster shows Zelinda her father dying on a magic mirror and says the only way she can save him is saying that she loves him. She is given leave to remain there for a week and when she arrives her sisters plot to feign fondness for her to entice her to remain another week in hopes that the Beast will devour her in his anger. [35] In the second, The Cursed Frog (Der verwunschene Frosch), the heroine is a merchant's daughter like in Beaumont's and Villeneuve's versions. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. After listening to his story, the Beast reluctantly agrees to let him give the rose to Beauty, but only if the merchant brings Beauty to him in exchange without deception; he makes it clear that Beauty must agree to take his place to the point where he will then treat her as his fiancée, and not his prisoner, while under no illusions about her predicament. The merchant's daughter stays longer because of her father's funeral, and when she finally returns she finds the beast lying underneath a heap of cabbages heads. The merchant accepts this gift and spends the night there. [12] Vittorio Imbriani included a version titled Zelinda and the Monster (Zelinda e il Mostro), in which the heroine, called Zelinda, asks for a rose in January. In: Baudot, Georges. [9], The tale is surprisingly popular in the Italian oral tradition. [18] Maspons y Labrós also collected another variant from Catalonia, titled Lo trist. When she returns she finds the snake dying and she revives him pluggin him in the water. Once she arrives at his palace, the Beast becomes excited to meet her face to face, so he throws a welcome ceremony by treating her to an amazing cabaret show. Beaumont strips most of the detail and lavish descriptions present on Beauty's exploration of the palace in Villeneuve's versions and quickly jumps to her return home. The tale has become one of the most popular in oral tradition. A widower merchant lives in a mansion with his twelve children (six sons and six daughters). Worldwide, the film proved to be a global phenom… In just ten days, it became the highest-grossing live-action musical of all time, beating the nine-year-old record held by Mamma Mia!. While Beauty makes a firm resolution to adjust to rural life with a cheerful disposition, her sisters do not and mistake her firmness for insensibility, forcing her into doing household work in an effort to make enough money to buy back their former home. He gives her lavish clothing and food and carries on lengthy conversations with her and she notes that he is inclined to stupidity rather than savagery. Seeing that no one is home, the merchant sneaks in and finds tables inside laden with food and drinks, which seem to have been left for him by the palace's invisible owner. After her third visit to her family, the heroine returns to the garden where she finds her favorite rosebush withered. [63] Mexican linguist Pablo González Casanova collected a version from the Nahuatl titled La doncella y la fiera, in which after returning to her family's home the heroine finds the beast lying on the ground dead. The only way to heal him is restoring the lily the father took, and when the girl restores it the bear is turned into a prince. [60] Marie Campbell collected a version from the Appalachian Mountains titled A Bunch of Laurela Blooms for a Present, in which the prince was turned into a frog like in one of the versions collected by the Colshorn brothers. Tatar (2017) compares the tale to the theme of "animal brides and grooms" found in folklore throughout the world,[67] [31] The tale appeared in their collection's first edition, in 1812, but because they judged the tale too similar to its French counterpart they omitted it in the next editions. After that he turns into a human. Like in Little Broomstick the merchant tries to deceive the bear sending another girl pretending to be his daughter, but the bear discovers it and the merchant's daughter has to go with the bear. For other uses, see, Beauty releases the prince from his beastly curse. When she goes to visit her family, she must return with the beast every time she hears a bell ringing. Titled The Summer and Winter Garden (Von dem Sommer- und Wintergarten):[30] here the youngest daughter asks for a rose when it is winter, so the father cannot find a rose anywhere except a garden with one half where it is always winter and another half where it is always summer. [58] In a third variant, also reportedly from China, Pearl of the Sea, the youngest daughter of rich Chinese merchant Pekoe, asks for a chip of The Great Wall of China, based on a dream she had. The youngest daughter goes and finds the bear lying on the ground, wounded. [42][43], Alexander Afanasyev collected a Russian version, The Enchanted Tsarevich (Заклятый царевич) in which the youngest daughter draws the flower she wants her father to bring her. Here when the heroine's return is not enough to heal her sick father, who dies. Despite that several other folklorists collected variants from German speaking territories. "THE SUMMER AND THE WINTER GARDEN." The circumstances leading to her arrival at the Beast's castle unfolds in a similar manner and on this arrival she is informed that she is mistress there and he will obey her. Because Nettchen's eldest sisters are too dangerous, but Nettchen doesn't want them dead, the sorceress turns them into stone statues. The Prince informs her that long ago, a powerful witch turned him into a hideous beast for his selfishness after trying to seduce him and that only by finding true love, despite his ugliness, could the curse be broken. Italo Calvino included a version on Italian Folktales titled Bellinda and the Monster, inspired mostly from Comparetti's version, but adding some elements from De Nino's, like the Tree of Weeping and Laughter. [3], Variants of the tale are known across Europe. The girl falls asleep by his side, and she dreams of the beast, who tells her to cut a specific flower and spray the water inside of it on his face. Suddenly, a fairy appears and pleads with Beauty to answer why she keeps refusing him, to which she replies that she doesn't know how to love the Beast because she loves him only as a friend and not a seducer. [33][34], Carl and Theodor Colshorn collected two versions from Hannover. When the merchant finally finds a lily a bear appears, saying that the merchant's youngest daughter must come to the garden, because she's the only one who can repair the damage the merchant has caused. Because the man cannot find a singing rose for his youngest daughter he refuses to return home until he finds one. When he has the chance to recover his wealth, the father asks his daughters what they want him to bring home from his travel, and the heroine asks for a lily instead of a rose. The rest of her family is surprised to find her well fed and dressed in finery. Manuel Milá y Fontanals collected an interesting version titled The King's Son, Disenchanted (El hijo del rey, desencantado). [41] In a version from the Faroe Islands the youngest daughter asks for an apple instead of a rose. Her sisters are envious when they hear of her happy life at the castle, and, overhearing that she must return to the Beast on a certain day, try to persuade her to steer clear of the Beast, even her father threatens to disown Beauty if she refuses to marry his younger and wealthier cousin next week, a wedding which was arranged for his youngest daughter instead, snatching the ring away from her to prevent her from going back to the Beast's castle. Cloudflare Ray ID: 5e05d1973d31d6c5 From the body comes out a pigeon, and from the pigeon an egg.
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