During one search of his apartment, an officer saw a photograph of the painting Guernica. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. In 1895, Picasso was traumatized when his seven-year-old sister, Conchita, died of diphtheria. Picasso's paintings and drawings from this period frequently recall the work of Raphael and Ingres. "[26], As with his paintings, Picasso's poetry can be read and interpreted in numerous ways. He was often harassed by the Gestapo. During the spring of 1916, Apollinaire returned from the front wounded. Suspicion for the crime had initially fallen upon Apollinaire due to his links to Géry Pieret, an artist with a history of thefts from the gallery. Picasso's artistic style did not fit the Nazi ideal of art, so he did not exhibit during this time. [57] Although the Germans outlawed bronze casting in Paris, Picasso continued regardless, using bronze smuggled to him by the French Resistance. [Both Joyce and Picasso] displayed an equal capacity to promote language as a real thing.. ..and to use it with as much dazzling liberty. The Poet was painted during the summer of 1911, when Pablo Picasso was working with Georges Braque in the French Pyrenees town of Céret. [70] His dealer, D-H. Kahnweiler, a socialist, termed Picasso's communism "sentimental" rather than political, saying "He has never read a line of Karl Marx, nor of Engels of course. Picasso's training under his father began before 1890. [14] There was a painter from the area named Matteo Picasso [fr] (1794–1879), born in Recco (Genoa), of late neoclassical style portraiture,[14] though investigations have not definitively determined his kinship with the branch of ancestors related to Pablo Picasso. Picasso, P., Rubin, W. S., & Fluegel, J. [9] Picasso attended gatherings at Stein's Paris home, with regular guests including high-profile writers such as James Joyce, Ernest Hemingway, and F. Scott Fitzgerald.[10]. The direct branch from Sori, Liguria (Genoa), can be traced back to Tommaso Picasso (1728–1813). Unlike Matisse, Picasso had eschewed models virtually all his mature life, preferring to paint individuals whose lives had both impinged on, and had real significance for, his own. 1909, Femme assise (Sitzende Frau), oil on canvas, 100 × 80 cm, Staatliche Museen, Neue Nationalgalerie, Berlin, 1909–10, Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 × 73 cm, Tate Modern, London. "[70] In a 1945 interview with Jerome Seckler, Picasso stated: "I am a Communist and my painting is Communist painting. His use of the minotaur came partly from his contact with the surrealists, who often used it as their symbol, and it appears in Picasso's Guernica.
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